CDX Records

Why Every Artist Should Upload Their Lyrics (And How to Do It)

One of the most important decisions an artist will ever make is determining how they want to structure their relationship with a record label.

At the highest level, every record deal comes down to two key issues:

Ownership

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Revenue

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Understanding how these two elements work will help artists make informed decisions about their careers.

The Traditional Record Label Model

Traditional record labels include major companies such as and historically, these labels have structured deals in a way that
gives the label the majority position in both ownership and revenue.
A modern home recording studio setup featuring a wide computer monitor displaying audio software, flanked by studio monitors with ambient lighting.

Ownership

In a traditional record deal, the label typically owns:

100% of the master recording rights
In most cases, ownership is granted to the label in perpetuity, meaning the label owns the master forever.

A cropped shot from the waist down of a four-piece band posing on a stage with an acoustic guitar, drumsticks, and a speaker monitor.

Revenue

A traditional new artist deal often pays approximately:

  • 88% to the label
  • 12% to the artist

Some deals may be structured at 85/15 or other variations, but the label typically receives the overwhelming majority of revenue.

Why Would An Artist Agree To This?

Because the label is in a majority position on both ownership and revenue, they are often willing to invest substantial amounts of
money into developing an artist’s career.

A professional broadcasting workstation featuring dual monitors with audio editing software, a lit "ON AIR" sign, a laptop, and a gamepad controller.

These investments may include: 

  • Recording costs
  • Radio promotion
  • Marketing campaigns
  • Publicity
  • Music videos
  • Tour support
  • Staffing and administration
  • Digital advertising

However, these funds are generally considered recoupable advances.

 

Understanding Recoupment

An energetic four-piece band practicing in a rehearsal studio, with a lead singer facing away in the foreground raising his hand.

Recoupment simply means the label gets its investment back before the artist receives additional royalty payments.

For example:
If a label spends $2,000,000 developing an artist and the artist receives a 12% royalty rate, the artist’s share of revenue is applied toward repaying that $2,000,000 investment.

In practical terms:

  • The label receives its contractual share of revenue.
  • The artist’s royalty account is charged against the recoupable balance.
  • The artist must fully recoup before receiving additional royalty payments.

 

 

Even after recoupment is complete, ownership generally remains unchanged.
The label still owns the master recordings. Forever.

The Label Services Model

There is another approach that has become increasingly popular among independent artists.
This model is often referred to as a Label Services Agreement.
CDX Records operates under this philosophy.

Two music professionals smiling and collaborating over a laptop inside a recording studio control room.

Revenue

The revenue split is structured as:
This means the artist remains in the majority position on both ownership and revenue.
A close-up of a person adjusting an audio mixing console connected to a laptop running sound editing software during a recording session.

Ownership

With CDX Records:
The artist owns 100% of the master recording.
CDX Records never takes ownership of the master.Instead, the artist grants CDX Records an exclusive distribution and exploitation right for a defined term.

A musician playing an acoustic guitar while a drummer plays along in a recording studio.

Term

Rather than owning the master forever, CDX Records typically receives:

At the end of the agreement term, the artist continues to own their master recordings.

Why Doesn't CDX Records
Advance Marketing Funds?

The answer is simple.

Because CDX Records is in a minority position.

We do not own the master.

We only receive 20% of revenue.

Because of this structure, we generally do not advance large sums of money for marketing, promotion, or artist development.

Any marketing, promotion, publicity, radio, or content creation expenses are typically funded by the artist.

This keeps ownership where it belongs:

With the creator.

An audio producer wearing headphones and adjusting a DJ controller while working on music software in a studio.

The Real Difference: TEAM

Many artists focus entirely on ownership percentages and revenue splits.
While those are important, they are not the biggest difference between successful artists and unsuccessful artists.

The biggest difference is:

Every successful artist eventually builds a team of experienced professionals around them.

That team may include:

Major labels provide these services internally through their staff. Independent artists must build that team themselves.

The CDX Records Approach

At CDX Records, we believe artists should be able to
retain ownership while still having access to experienced industry professionals.


Over more than three decades in the music business, we have assembled a network of professionals who are:

Artists can select from a menu of services based on their goals and budget.

A professional recording studio control room featuring a large mixing console, studio monitors, and a computer screen showing audio software.

Everything Your Release Needs
In One Team.

Music Distribution

Global delivery through Sony and
The Orchard, done right.

Radio Promotion

Real airplay via CDX Nashville with TRACTION tracking.

Publicity and Press

Coverage that builds
credibility and demand.

Social and Digital

Content strategy and ads that grow your audience. 

Project Management

Branding, positioning, and long-term leverage.

Booking & Live

Stage readiness and booking via Joseph Henry Agency.

Our Philosophy

We believe artists should have options.

Some artists want the resources of a traditional major label.

Others want to maintain ownership and build their careers independently.

Neither path is right for everyone.

Our mission is to help artists understand the difference, make informed decisions, and build sustainable careers on their own terms.

At CDX Records, you own your music.

We help you build the team.

A teenage band rehearsing in a bright room, featuring a young female vocalist, an electric guitarist, and a female drummer.

Ready to Turn Your Next Release Into Real Momentum?

Tell us about your music. We’ll show you the plan.

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